G
A
man walks d
D
own
the street,
he says
C
why am I s
D
oft
in the middle now,
G
why
am I s
D
oft
in the middle,
C
the
rest of my l
D
ife
is so hard,
G
I
need a ph
D
oto-opportunity,
C
I
want a shot at red
D
emption,
G
dont
want to end up a c
D
artoon,
in a
C
cartoon gr
D
aveyard,
b
G
onedigger,
b
D
onedigger,
C
dogs
in the mo
D
onlight,
G
far
aw
D
ay
my w
C
ell-lit
d
D
oor,
Mr. B
G
eerbelly,
B
D
eerbelly,
g
C
et
these mutts aw
D
ay
from me,
you kn
G
ow
I don't f
D
ind
this stuff am
C
using
anym
D
ore.
G
If
youll be my b
D
odyguard
C
I
can be your l
D
ong
l
G
ost
p
D
al,
C
D
G
I
can call you B
D
etty,
and B
C
etty
when you c
D
all
me
you can c
G
all
me Al.
D
C
D
G
A
man walks d
D
own
the street,
he says
C
why am I s
D
hort
of attention,
G
got
a short l
D
ittle
span of attention,
and wo
C
my
nights a
D
re
so long,
G
wheres
my wif
D
e
and family,
what if
C
I die here
D
,
G
wholl
be my r
D
ole-model,
now tha
C
t
my role-m
D
odel
is
G
gone,
gone,
D
he duck
C
ed
back dow
D
n
the alley
G
with
some rol
D
y-poly
little
C
bat-faced
D
girl,
G
all
along, al
D
ong
there were inci
C
dents
and ac
D
cidents,
there were hints and allegations.
G
If
youll be my b
D
odyguard
C
I
can be your l
D
ong
l
G
ost
p
D
al,
C
D
G
I
can call you B
D
etty,
and B
C
etty
when you c
D
all
me
you can c
G
all
m
D
e
A
C
l.
D
call me
G
Al.
D
C
D
G
A
man walks d
D
own
the street,
its a s
C
treet
in a
D
strange
world,
G
maybe
its the
D
Third
World,
maybe i
C
ts
his firs
D
t
time around,
G
he
doesnt spe
D
ak
the language,
he hold
C
s
no curren
D
cy,
G
he
is a forei
D
gn
man,
he is s
C
urrounded
b
D
y
G
the
sound, th
D
e
sound,
cattle
C
in
the mark
D
etplace,
G
scatterlings
D
and
orphanages,
C
D
G
he
looks arou
D
nd,
around,
he sees
C
angels in
D
the
architecture,
G
spinning
in i
D
nfinity,
he says
C
Amen and H
D
allelujah!
G
If
youll be my b
D
odyguard
C
I
can be your l
D
ong
l
G
ost
p
D
al,
C
D
G
I
can call you B
D
etty,
and B
C
etty
when you c
D
all
me
you can c
G
all
me Al.
D
C
D